Bala's Spasma song "came out in 1906 as a separate book, as it was published part of the Arbëresh press. It deals with current problems of time, addressing the historical past, Skanderbeg's time. The work is based on two central ideas: one resembles the idea expressed by De Rada in "Songs of Milosoa" that there can be no personal happiness when the homeland is suffering, and the other idea is that the homeland can be released only by armed struggle. The first idea is elaborated through the line of love.
The second is devoted to a special line of live pictures of the battles of Albanians with the Ottomans. Other ideas that radiate the central idea are the idea of the necessity of a strong leadership and the idea of joining the Albanians, the idea of the vitality of the nation, of the high virtues that distinguish it, the idea of war to preserve it clean, protecting From the risk of assimilation from other nations.
Though it reflects in its poem the tragedy of the unequal struggle of Albanians with a great military power like Turkey, by describing the gruesome paintings of the battles and the tragic fate of the main heroes, the poet points to the greatness of the homeland, the victory . The heroics here are given through battle charts that also have objective historical bases, such as Berat and Valkala's battles. Even the symbolic shrill of trees at the end of the work can be understood as an assertion of inexhaustible vitality, the vitality of a people in constant war with those who want to extinguish it.
Dara also expresses the tragedy of exiled Arbëreshes outside the Homeland, giving our literature through the figure of Elder Balas a new type, the exiled Arbëresh type of foreign dachshund. His patriotic ideas have embodied the main characters, Niku and Paul, the characters of Bala and Dada and Skanderbeg, who, although the episodic character plays a special role in the poem. Niko and Paul are heroes inspired by folklore, who have taken on the characteristics of romantic patriotic heroes.
Dara is the great master of the art of speech. His work is renowned for the richness of artistic tools, for a lively and beautiful language, and above all for the extensive and comprehensive support of Arbëresh folklore.